Ebon Prussian
Ebon Prussian (#1F4479) is a deep azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (215°, 59%, 30%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
A poetic shortening of ebony — used principally in nineteenth-century verse and Edgar Allan Poe (The Raven — ebon bird). As a color modifier, ebon is a literary register for deep black with slight warmth, distinct from the cooler inky and the harder jet. Carries the same weight as the wood it borrows from.
The first modern synthetic blue pigment — accidentally produced in 1704 by Berlin alchemist Johann Jacob Diesbach when contaminated potash turned a red dye unexpectedly blue. The result was Berlin blue (also Prussian blue): a saturated, slightly green-shifted deep blue with the matte finish of a pigment more lightfast than indigo and far cheaper than ultramarine. Cooler than cobalt, deeper than navy, with the art-historical weight of the pigment used in Hokusai's Great Wave.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.