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Plumbed Tooled Ultramarine

#1f2188
Notes

Plumbed Tooled Ultramarine (#1F2188) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (239°, 63%, 33%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1f2188
RGB
rgb(31, 33, 136)
HSL
hsl(239, 63%, 33%)
HWB
hwb(239 12% 47%)
OKLCH
oklch(33.1% 0.165 272.1)
P3
color(display-p3 0.1230 0.1292 0.5122)
HSV
hsv(239, 77%, 53%)
LAB
lab(20.66% 35.99 -56.94)
LCH
lch(20.66% 67.36 302.29)
CMYK
cmyk(77%, 76%, 0%, 47%)

Etymology

Plumbed
adjective

Latin plumbum, lead — past-participle of plumb (to measure depth with a lead-weighted line). As a color modifier, plumbed implies a deep-and-cool quality measured-to-its-fullest-depth, the dark cool-gray of lead-and-pewter metallic surfaces. Sits at the deep-and-cool end of the grid, parallel to fathomless with metallic register.

Tooled
modifier

Old French tōl, implement. As a color modifier, tooled implies a hand-worked-and-detailed quality, the visual register of Renaissance-and-Florentine-tooled-leather hand-worked-and-stamped-and-engraved tooled-leather-and-bookbinding-and-saddle-and-belt hand-worked surfaces under Renaissance-and-Florentine hand-tooled-leather workshop-light. Sits at the modifier-and-texture end of the grid, parallel to carved and inlaid in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1f2188
Original
#00378b
Protanopia
#002d86
Deuteranopia
#003f52
Tritanopia
#282828
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
12.87:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.63:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1F2188
Display P3
Display P3
color(display-p3 0.1230 0.1292 0.5122)
P3 has subtle headroomOKLCH chroma 0.165

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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