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Hemmed Park Verdigris

#1eb1b3
Notes

Hemmed Park Verdigris (#1EB1B3) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (181°, 71%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1eb1b3
RGB
rgb(30, 177, 179)
HSL
hsl(181, 71%, 41%)
HWB
hwb(181 12% 30%)
OKLCH
oklch(69.2% 0.113 196.4)
P3
color(display-p3 0.3296 0.6840 0.6961)
HSV
hsv(181, 83%, 70%)
LAB
lab(65.73% -34.54 -11.42)
LCH
lch(65.73% 36.37 198.29)
CMYK
cmyk(83%, 1%, 0%, 30%)

Etymology

Hemmed
adjective

Old English hem, border — past-participle of hem. As a color modifier, hemmed implies a clear-and-finished-and-bordered quality where the hue carries the visual register of carefully-hemmed-and-finished textile-edge. Sits at the crisp-and-finished end of the grid, parallel to trim and finished in usage.

Park
modifier

Old French parc, enclosed-game-preserve. As a color modifier, park implies a landscaped-and-managed-greenspace quality, the visual register of Stowe-and-Versailles hand-landscaped-and-managed enclosed deer-park-and-pleasure-garden surfaces under designed-landscape Stowe-and-Versailles formal-pleasure-garden light. Sits at the modifier-and-place end of the grid, parallel to garden and court in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1eb1b3
Original
#a4a8b3
Protanopia
#9099b4
Deuteranopia
#00b7b1
Tritanopia
#929292
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.63:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.99:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1EB1B3
Display P3
Display P3
color(display-p3 0.3296 0.6840 0.6961)
P3 has subtle headroomOKLCH chroma 0.113

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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