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Antiseptic Malt Teal

#1dbfaa
Notes

Antiseptic Malt Teal (#1DBFAA) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (172°, 74%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1dbfaa
RGB
rgb(29, 191, 170)
HSL
hsl(172, 74%, 43%)
HWB
hwb(172 11% 25%)
OKLCH
oklch(72.4% 0.126 180.9)
P3
color(display-p3 0.3535 0.7381 0.6681)
HSV
hsv(172, 85%, 75%)
LAB
lab(69.77% -43.51 -0.47)
LCH
lch(69.77% 43.51 180.62)
CMYK
cmyk(85%, 0%, 11%, 25%)

Etymology

Antiseptic
adjective

Greek anti- (against) plus sēptikós (putrefying) — adjectival suffix -ic. As a color modifier, antiseptic implies a clear-and-disinfected-and-clinical quality, the crisp color of medical-laboratory and operating-theater hand-scrub-and-sanitizer surfaces. Sits at the crisp-and-clean end of the grid, parallel to sterile and sanitary in usage.

Malt
modifier

Old English mealt, germinated-grain. As a color modifier, malt implies a kilned-grain-and-amber-stout quality, the visual register of Burton-on-Trent-and-Bavarian-malt hand-kilned-grain-and-amber-stout Burton-on-Trent-and-Bavarian-malt-and-Munich-and-Pilsen malt-and-kilned-grain surfaces under Burton-on-Trent-and-Bavarian-malt-and-Munich-and-Pilsen Burton-and-Munich-and-Pilsen brewery-and-kiln-light. Sits at the modifier-and-flavor end of the grid, parallel to syrup and zest in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1dbfaa
Original
#b6b3a9
Protanopia
#a2a4ac
Deuteranopia
#00c3b9
Tritanopia
#9b9b9b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.31:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.09:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1DBFAA
Display P3
Display P3
color(display-p3 0.3535 0.7381 0.6681)
P3 has subtle headroomOKLCH chroma 0.126

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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