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Hemmed Venus Teal

#1d7aa9
Notes

Hemmed Venus Teal (#1D7AA9) is a true azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (200°, 71%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1d7aa9
RGB
rgb(29, 122, 169)
HSL
hsl(200, 71%, 39%)
HWB
hwb(200 11% 34%)
OKLCH
oklch(55.0% 0.110 236.7)
P3
color(display-p3 0.2339 0.4715 0.6465)
HSV
hsv(200, 83%, 66%)
LAB
lab(48.31% -9.29 -32.41)
LCH
lch(48.31% 33.71 254.01)
CMYK
cmyk(83%, 28%, 0%, 34%)

Etymology

Hemmed
adjective

Old English hem, border — past-participle of hem. As a color modifier, hemmed implies a clear-and-finished-and-bordered quality where the hue carries the visual register of carefully-hemmed-and-finished textile-edge. Sits at the crisp-and-finished end of the grid, parallel to trim and finished in usage.

Venus
modifier

Latin Venus, Roman-goddess-and-second-planet. As a color modifier, venus implies a Roman-goddess-and-second-planet-and-morning-evening-star quality, the visual register of Botticelli-Birth-of-Venus-and-Pompeii-fresco hand-Roman-goddess-and-second-planet-and-morning-evening-star Botticelli-Birth-of-Venus-and-Pompeii-fresco-and-Aphrodite-Hellenic venus-and-Roman-goddess-and-second-planet surfaces under Botticelli-Birth-of-Venus-and-Pompeii-fresco-and-Aphrodite-Hellenic Florentine-and-Pompeian dawn-and-dusk-evening-star-light. Sits at the modifier-and-zodiac end of the grid, parallel to jupiter and saturn in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1d7aa9
Original
#637aab
Protanopia
#516da8
Deuteranopia
#00868a
Tritanopia
#6a6a6a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.76:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.41:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1D7AA9
Display P3
Display P3
color(display-p3 0.2339 0.4715 0.6465)
P3 has subtle headroomOKLCH chroma 0.110

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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