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Heavy Uguisu

#1d770c
Notes

Heavy Uguisu (#1D770C) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (110°, 82%, 26%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1d770c
RGB
rgb(29, 119, 12)
HSL
hsl(110, 82%, 26%)
HWB
hwb(110 5% 53%)
OKLCH
oklch(49.8% 0.158 141.2)
P3
color(display-p3 0.2290 0.4599 0.1378)
HSV
hsv(110, 90%, 47%)
LAB
lab(43.48% -45.11 45.16)
LCH
lch(43.48% 63.84 134.97)
CMYK
cmyk(76%, 0%, 90%, 53%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Uguisu
noun

Horornis diphone, the Japanese bush warbler — and the slightly muted olive-yellow of the bird's plumage. Uguisu-iro is a traditional Japanese color used in tea-ceremony pottery and fukusa silk wraps. The color refers to a fresh-molted bush warbler: a soft, slightly muted yellow-green with the matte finish of small bird feathers. Cooler than wakaba.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1d770c
Original
#7a6b00
Protanopia
#70641c
Deuteranopia
#027364
Tritanopia
#5c5c5c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.68:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.70:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1D770C
Display P3
Display P3
color(display-p3 0.2290 0.4599 0.1378)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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