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Balanced Cowl Moss

#1d6c55
Notes

Balanced Cowl Moss (#1D6C55) is a deep teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (163°, 58%, 27%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1d6c55
RGB
rgb(29, 108, 85)
HSL
hsl(163, 58%, 27%)
HWB
hwb(163 11% 58%)
OKLCH
oklch(47.8% 0.084 169.3)
P3
color(display-p3 0.2113 0.4174 0.3385)
HSV
hsv(163, 73%, 42%)
LAB
lab(40.64% -29.60 6.10)
LCH
lch(40.64% 30.23 168.35)
CMYK
cmyk(73%, 0%, 21%, 58%)

Etymology

Balanced
adjective

The past participle of balance, to weigh evenly. Used as a color modifier since the eighteenth century for hues that read as neither overcommitted nor restrained. Balanced sage, balanced taupe: moderate saturation combined with optical equilibrium. Sits at the crisp-bucket center alongside even.

Cowl
modifier

Latin cuculla, monk's-hood-or-hood-of-habit. As a color modifier, cowl implies a monk's-hood-and-deeply-folded-hood quality, the visual register of Benedictine-and-Cistercian-monk's-cowl hand-monk's-hood-and-deeply-folded-hood Benedictine-and-Cistercian-monk's-cowl-and-Cluny-Abbey cowl-and-monk's-hood surfaces under Benedictine-and-Cistercian-monk's-cowl-and-Cluny-Abbey Cluny-and-Cîteaux-Abbey monastic-cloister-light. Sits at the modifier-and-textile end of the grid, parallel to cloak and frock in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1d6c55
Original
#696454
Protanopia
#5e5d57
Deuteranopia
#006d65
Tritanopia
#5a5a5a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.31:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.33:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1D6C55
Display P3
Display P3
color(display-p3 0.2113 0.4174 0.3385)
P3 has subtle headroomOKLCH chroma 0.084

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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