Resounding Capricorn Ultramarine

Latin resonāre, to echo back — present-participle of resound. As a color modifier, resounding implies a saturated-and-echoing-and-imposing quality where the hue reverberates visually like a cathedral-bell ring. Sits at the bold-and-resonant end of the grid, parallel to resonant and booming in usage.

Latin capricornus, horned-goat-of-the-zodiac. As a color modifier, capricorn implies a sea-goat-and-earth-sign-and-Saturn-ruled-cardinal-earth quality, the visual register of Hellenic-Capricorn-and-Pan-sea-goat hand-sea-goat-and-earth-sign-and-Saturn-ruled-cardinal-earth Hellenic-Capricorn-and-Pan-sea-goat-and-Babylonian-Suhurmašu capricorn-and-sea-goat-and-earth-sign surfaces under Hellenic-Capricorn-and-Pan-sea-goat-and-Babylonian-Suhurmašu winter-solstice-and-December-and-January cardinal-earth-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to sagittarius and aquarius in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.