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Suffused Aniline

#1d1d7f
Notes

Suffused Aniline (#1D1D7F) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (240°, 63%, 31%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1d1d7f
RGB
rgb(29, 29, 127)
HSL
hsl(240, 63%, 31%)
HWB
hwb(240 11% 50%)
OKLCH
oklch(31.4% 0.158 272.6)
P3
color(display-p3 0.1137 0.1137 0.4781)
HSV
hsv(240, 77%, 50%)
LAB
lab(18.68% 35.03 -54.54)
LCH
lch(18.68% 64.82 302.71)
CMYK
cmyk(77%, 77%, 0%, 50%)

Etymology

Suffused
adjective

Latin suffundere, to pour beneath — past-participle of suffuse. As a color modifier, suffused implies a deep-saturation-and-warmth where the hue has been infused with pigment from within. Sits at the deep-and-saturated end of the grid, parallel to infused and warmer than drenched.

Aniline
noun

Synthetic-organic dye class first synthesized in 1856 by William Henry Perkin from coal-tar derivatives — named after the Portuguese anil (indigo) since Perkin's first mauveine was a synthetic stand-in for natural indigo's overdyed violets. Aniline color refers to a freshly aniline-mauveine-dyed Victorian silk: a saturated, slightly cool deep blue-violet with the silky luster of the first-ever industrial synthetic dye on Lyon silk.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1d1d7f
Original
#003282
Protanopia
#00297d
Deuteranopia
#003a4c
Tritanopia
#242424
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
13.69:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.53:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1D1D7F
Display P3
Display P3
color(display-p3 0.1137 0.1137 0.4781)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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