colors
Back to gallery

Hemmed Murk Lagoon

#1c99a0
Notes

Hemmed Murk Lagoon (#1C99A0) is a true cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (183°, 70%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1c99a0
RGB
rgb(28, 153, 160)
HSL
hsl(183, 70%, 37%)
HWB
hwb(183 11% 37%)
OKLCH
oklch(62.4% 0.101 200.9)
P3
color(display-p3 0.2852 0.5912 0.6208)
HSV
hsv(183, 83%, 63%)
LAB
lab(57.62% -29.08 -12.91)
LCH
lch(57.62% 31.82 203.95)
CMYK
cmyk(83%, 4%, 0%, 37%)

Etymology

Hemmed
adjective

Old English hem, border — past-participle of hem. As a color modifier, hemmed implies a clear-and-finished-and-bordered quality where the hue carries the visual register of carefully-hemmed-and-finished textile-edge. Sits at the crisp-and-finished end of the grid, parallel to trim and finished in usage.

Murk
modifier

Old Norse myrkr, darkness-or-obscurity. As a color modifier, murk implies a clouded-and-dim-and-obscured quality, the visual register of fen-and-bog-and-tarn-murk hand-clouded-and-dim-and-obscured fen-and-bog-and-tarn-and-marsh murky-and-clouded-and-dim-and-obscured surfaces under fen-and-bog-and-tarn-and-marsh peat-stained-and-clouded-and-dim swamp-and-fen-light. Sits at the modifier-and-mood end of the grid, parallel to gloom and pall in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1c99a0
Original
#8d92a1
Protanopia
#7b85a1
Deuteranopia
#009f9b
Tritanopia
#7f7f7f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1C99A0
Display P3
Display P3
color(display-p3 0.2852 0.5912 0.6208)
P3 has subtle headroomOKLCH chroma 0.101

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas