Princely Eld Cerulean
Princely Eld Cerulean (#1C81C3) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (204°, 75%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin prīnceps, first / chief — adjectival suffix -ly. As a color modifier, princely implies a saturated-and-royal-secondary quality, the deep-rich color of European crown-prince coronet-and-livery vestment. Sits at the bold-and-aristocratic end of the grid, parallel to lordly and regal in usage.
Old English eld, old-age / ancient-time. As a color modifier, eld implies an ancient-and-time-deep quality, the visual register of Bronze-Age-and-prehistoric multi-millennia archaeological-period eld-and-time-deep ancient-and-pre-historical surfaces under multi-millennia eld-and-time-deep light. Sits at the modifier-and-time end of the grid, parallel to yore and age in usage.
From the Latin caeruleum, originally referring to dark blue paint pigment of the Roman world, then via French céruléen into English. As a modern art-supply name, cerulean blue is the cobalt-tin oxide pigment introduced in 1805. The color refers to a clean, slightly green-shifted blue with the matte finish of mineral pigment in linseed oil: lighter than cobalt, deeper than aqua, with the painter's weight of a word for sky.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.