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Devout Onando

#1c53cf
Notes

Devout Onando (#1C53CF) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (222°, 76%, 46%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1c53cf
RGB
rgb(28, 83, 207)
HSL
hsl(222, 76%, 46%)
HWB
hwb(222 11% 19%)
OKLCH
oklch(48.9% 0.200 263.0)
P3
color(display-p3 0.1715 0.3209 0.7825)
HSV
hsv(222, 86%, 81%)
LAB
lab(39.47% 30.07 -68.64)
LCH
lch(39.47% 74.94 293.66)
CMYK
cmyk(86%, 60%, 0%, 19%)

Etymology

Devout
adjective

From the Latin devotus, consecrated — used principally in religious contexts for the dignified deep colors of sacred art and ecclesiastical dress. As a color modifier, devout implies saturation combined with restraint: the deep blues of Marian mantles, the deep reds of cardinals' robes. Sits in the bold-and-formal corner alongside imperial.

Onando
noun

Japanese onando-iro (御納戸色) — honored storehouse color, the saturated grayed-blue of pre-modern Japanese clothing storehouse interiors. Traditional Edo-period onando was used in samurai household interiors and the linings of formal court dress. The color refers to a onando-painted Edo storehouse wall: a saturated, slightly cool deep blue-gray with the matte finish of weathered distemper paint.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1c53cf
Original
#0065d3
Protanopia
#0055cd
Deuteranopia
#007389
Tritanopia
#505050
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.59:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.19:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1C53CF
Display P3
Display P3
color(display-p3 0.1715 0.3209 0.7825)
P3 has visible headroomOKLCH chroma 0.200

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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