Solid Aquarius Ultramarine

Latin solidus, firm, dense — used as a color modifier since the seventeenth century for hues that read as continuous and unbroken: a solid blue is one with no variation across the surface. Implies high saturation combined with optical density. Sits in the bold-bucket alongside strong and robust, slightly more focused on uniformity.

Latin aquarius, water-bearer-of-the-zodiac. As a color modifier, aquarius implies a water-bearer-and-air-sign-and-Saturn-Uranus-ruled-fixed-air quality, the visual register of Hellenic-Aquarius-and-Ganymede-water-bearer hand-water-bearer-and-air-sign-and-Saturn-Uranus-ruled-fixed-air Hellenic-Aquarius-and-Ganymede-water-bearer-and-cup-bearer aquarius-and-water-bearer-and-air-sign surfaces under Hellenic-Aquarius-and-Ganymede-water-bearer-and-cup-bearer mid-winter-and-January-and-February fixed-air-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to pisces and capricorn in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.