Majestic Tile Ultramarine

Latin māiestātis, majesty — adjectival suffix -ic. As a color modifier, majestic implies a saturated-and-imposing-grandeur quality, the deep-rich color of Salisbury-Cathedral-and-Chartres-Cathedral Gothic-architecture monumental presence against the open sky. Sits at the bold-and-imposing end of the grid, parallel to regal and imperial.

Old English tigele, roof-tile. As a color modifier, tile implies a fired-clay-or-stone-flat quality, the visual register of Spanish-and-Italian-and-Persian-tile hand-fired-and-glazed clay-and-stone-and-marble Spanish-and-Italian-and-Persian-tile surfaces under Spanish-and-Italian-and-Persian-tile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to slab and plate in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.