Cloaked Tibet
Cloaked Tibet (#1C3565) is a deep azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (219°, 57%, 25%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old French cloque, bell-cloak — past-participle of cloak. As a color modifier, cloaked implies a deep-fabric-shrouded quality where the hue is muffled by an enveloping textile-darkness. Sits at the deep-and-fabric end of the grid, parallel to mantled and hooded in usage.
The high-altitude plateau of central Asia — and the saturated deep blue of Tibetan prayer-flag (lung-ta) blue panels and the deep blue of Tibetan summer sky at 4,000-meter altitude. Tibet refers to a fresh Tibetan prayer-flag blue panel: a saturated, slightly cool deep blue with the matte finish of cotton-dyed prayer flag.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.