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Honest Jupiter Topaz

#1bc1b8
Notes

Honest Jupiter Topaz (#1BC1B8) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (177°, 75%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1bc1b8
RGB
rgb(27, 193, 184)
HSL
hsl(177, 75%, 43%)
HWB
hwb(177 11% 24%)
OKLCH
oklch(73.3% 0.123 188.8)
P3
color(display-p3 0.3553 0.7458 0.7188)
HSV
hsv(177, 86%, 76%)
LAB
lab(70.75% -40.58 -6.68)
LCH
lch(70.75% 41.12 189.35)
CMYK
cmyk(86%, 0%, 5%, 24%)

Etymology

Honest
adjective

Latin honestus, honorable — used as a color modifier since the seventeenth century for hues that read as straightforward and unembellished, the working browns and grays of vernacular architecture rather than the polished shades of court fashion. Honest brown, honest gray: moderate saturation combined with optical directness. Sits at the crisp-bucket alongside plain and frank.

Jupiter
modifier

Latin Iuppiter, Roman-king-of-gods-and-fifth-planet. As a color modifier, jupiter implies a Roman-king-of-gods-and-fifth-planet-and-gas-giant quality, the visual register of Roman-Jupiter-Optimus-Maximus-and-Galileo-moons hand-Roman-king-of-gods-and-fifth-planet-and-gas-giant Roman-Jupiter-Optimus-Maximus-and-Galileo-moons-and-Great-Red-Spot jupiter-and-Roman-king-of-gods surfaces under Roman-Jupiter-Optimus-Maximus-and-Galileo-moons-and-Great-Red-Spot Capitoline-Hill-and-Galilean-moon-discovery king-of-planets-light. Sits at the modifier-and-zodiac end of the grid, parallel to venus and saturn in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1bc1b8
Original
#b5b6b8
Protanopia
#a0a7b9
Deuteranopia
#00c6be
Tritanopia
#9d9d9d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.24:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.37:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1BC1B8
Display P3
Display P3
color(display-p3 0.3553 0.7458 0.7188)
P3 has subtle headroomOKLCH chroma 0.123

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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