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Pressed Glint Verdigris

#1bb5b7
Notes

Pressed Glint Verdigris (#1BB5B7) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (181°, 74%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1bb5b7
RGB
rgb(27, 181, 183)
HSL
hsl(181, 74%, 41%)
HWB
hwb(181 11% 28%)
OKLCH
oklch(70.3% 0.116 196.3)
P3
color(display-p3 0.3337 0.6994 0.7117)
HSV
hsv(181, 85%, 72%)
LAB
lab(67.05% -35.41 -11.65)
LCH
lch(67.05% 37.28 198.22)
CMYK
cmyk(85%, 1%, 0%, 28%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Glint
modifier

Middle English glent, to-shine-or-glance. As a color modifier, glint implies a brief-and-glancing-and-pinpoint-shine quality, the visual register of Scottish-burn-and-anvil-spark-glint hand-brief-and-glancing-and-pinpoint-shine Scottish-burn-and-anvil-spark-and-flint-strike glinted-and-brief-and-glancing surfaces under Scottish-burn-and-anvil-spark-and-flint-strike sun-on-water-and-forge-spark fleeting-glance-light. Sits at the modifier-and-mood end of the grid, parallel to gleam and spark in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1bb5b7
Original
#a8acb7
Protanopia
#939db8
Deuteranopia
#00bbb5
Tritanopia
#949494
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.52:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.34:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1BB5B7
Display P3
Display P3
color(display-p3 0.3337 0.6994 0.7117)
P3 has subtle headroomOKLCH chroma 0.116

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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