Mapped Lyra Verdigris

Latin mappa, cloth / napkin — past-participle of map. As a color modifier, mapped implies a clear-and-cartographic-and-surveyed quality, the crisp color of Ordnance-Survey-and-USGS scientific-and-cadastral cartographic-and-topographic mapping-and-projection. Sits at the crisp-and-mapped end of the grid, parallel to plotted and surveyed in usage.

Greek λύρα, lyre-of-Orpheus. As a color modifier, lyra implies a small-summer-constellation-and-Orpheus-lyre quality, the visual register of summer-Lyra-and-Orpheus-lyre hand-small-summer-constellation-and-Orpheus-lyre summer-Lyra-and-Orpheus-lyre-and-Bortle-1-sky lyra-and-small-summer-constellation-and-Orpheus-lyre surfaces under summer-Lyra-and-Orpheus-lyre-and-Bortle-1-sky July-and-August-summer-zenith ring-nebula-and-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to vega and cygnus in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.