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Drawn Athens Kingfisher

#1b9ab2
Notes

Drawn Athens Kingfisher (#1B9AB2) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (190°, 74%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1b9ab2
RGB
rgb(27, 154, 178)
HSL
hsl(190, 74%, 40%)
HWB
hwb(190 11% 30%)
OKLCH
oklch(63.3% 0.106 214.7)
P3
color(display-p3 0.2858 0.5950 0.6865)
HSV
hsv(190, 85%, 70%)
LAB
lab(58.56% -23.79 -21.71)
LCH
lch(58.56% 32.21 222.39)
CMYK
cmyk(85%, 13%, 0%, 30%)

Etymology

Drawn
adjective

Old English dragan, to draw — past-participle of draw. As a color modifier, drawn implies a clear-and-line-and-mark quality, the crisp color of Old-Master-and-Modernist hand-drawn studio-and-life-class observational-drawing graphite-and-charcoal lines. Sits at the crisp-and-incised end of the grid, parallel to etched and drafted in usage.

Athens
modifier

Greek Ἀθῆναι, Athens. As a color modifier, athens implies an Acropolis-and-philosophical-city-state quality, the visual register of Athenian-Classical-City-State hand-built Acropolis-and-Parthenon-and-marble-temple-and-pottery Doric-and-Ionic-and-Corinthian surfaces under Athenian-Acropolis-and-Parthenon classical Aegean-marble-temple light. Sits at the modifier-and-cultural end of the grid, parallel to sparta and greek in usage.

Kingfisher
noun

The family Alcedinidae — particularly Alcedo atthis, the European common kingfisher whose iridescent turquoise-blue plumage gives the color its name. The color refers to a male European kingfisher's wing: a saturated, slightly cool deep blue-green with the iridescent satin finish of structurally colored feathers.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1b9ab2
Original
#8995b3
Protanopia
#7687b2
Deuteranopia
#00a3a1
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.33:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1B9AB2
Display P3
Display P3
color(display-p3 0.2858 0.5950 0.6865)
P3 has subtle headroomOKLCH chroma 0.106

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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