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Sumptuous Tokiwa

#1b7a08
Notes

Sumptuous Tokiwa (#1B7A08) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (110°, 88%, 25%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1b7a08
RGB
rgb(27, 122, 8)
HSL
hsl(110, 88%, 25%)
HWB
hwb(110 3% 52%)
OKLCH
oklch(50.6% 0.163 141.3)
P3
color(display-p3 0.2309 0.4714 0.1357)
HSV
hsv(110, 93%, 48%)
LAB
lab(44.47% -46.64 46.88)
LCH
lch(44.47% 66.13 134.85)
CMYK
cmyk(78%, 0%, 93%, 52%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Tokiwa
noun

Japanese for evergreen — literally eternal rock — used for the deep green of Pinus and Cryptomeria foliage that persists through winter. Tokiwa-iro signals stability and longevity in Japanese symbolic-color vocabulary. The color refers to a Japanese cedar in midwinter: a deep, slightly cool dark green with the matte finish of resin-coated needle foliage.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1b7a08
Original
#7d6e00
Protanopia
#73661a
Deuteranopia
#007667
Tritanopia
#5e5e5e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.48:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.83:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1B7A08
Display P3
Display P3
color(display-p3 0.2309 0.4714 0.1357)
P3 has subtle headroomOKLCH chroma 0.163

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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