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Stained Vigil Ultramarine

#1b2756
Notes

Stained Vigil Ultramarine (#1B2756) is a deep blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (228°, 52%, 22%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1b2756
RGB
rgb(27, 39, 86)
HSL
hsl(228, 52%, 22%)
HWB
hwb(228 11% 66%)
OKLCH
oklch(29.1% 0.086 269.6)
P3
color(display-p3 0.1156 0.1516 0.3253)
HSV
hsv(228, 69%, 34%)
LAB
lab(17.25% 12.13 -30.13)
LCH
lch(17.25% 32.48 291.92)
CMYK
cmyk(69%, 55%, 0%, 66%)

Etymology

Stained
adjective

Old French desteindre, to discolor — past-participle of stain. As a color modifier, stained implies a deep-pigment-and-permanent quality where the hue has bonded with the substrate fiber. Sits at the deep-and-pigmented end of the grid, parallel to dyed and suffused in usage.

Vigil
modifier

Latin vigilia, night-watch. As a color modifier, vigil implies a night-watch-and-prayer quality, the visual register of medieval-monastic-and-Roman-Catholic night-watch-and-vigil monastic-and-religious-vigil candlelit-and-lantern-light night-vigil surfaces under medieval-monastic-vigil candlelit-and-lantern light. Sits at the modifier-and-time end of the grid, parallel to vesper and mass in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1b2756
Original
#0d2d58
Protanopia
#012855
Deuteranopia
#00323a
Tritanopia
#282828
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
14.27:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.47:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1B2756
Display P3
Display P3
color(display-p3 0.1156 0.1516 0.3253)
P3 has subtle headroomOKLCH chroma 0.086

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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