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Victorious Aztec Sapphire

#1a71c9
Notes

Victorious Aztec Sapphire (#1A71C9) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (210°, 77%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1a71c9
RGB
rgb(26, 113, 201)
HSL
hsl(210, 77%, 45%)
HWB
hwb(210 10% 21%)
OKLCH
oklch(54.7% 0.157 253.4)
P3
color(display-p3 0.2145 0.4366 0.7636)
HSV
hsv(210, 87%, 79%)
LAB
lab(47.29% 8.17 -52.53)
LCH
lch(47.29% 53.16 278.84)
CMYK
cmyk(87%, 44%, 0%, 21%)

Etymology

Victorious
adjective

Latin victōriōsus, of victory — derived from victor (winner). As a color modifier, victorious implies a saturated-and-celebratory-and-conquering quality, the deep-rich color of Roman-Imperial victory-procession purpura-dyed paludamentum cloak. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and conquering.

Aztec
modifier

Nahuatl Aztēcatl, one-from-Aztlán. As a color modifier, aztec implies a Mexica-and-Tenochtitlan-Imperial quality, the visual register of Aztec-Empire-of-Tenochtitlan hand-built basalt-and-obsidian-and-feather-and-codex Aztec-Imperial-and-Mexica-tribute surfaces under high-altitude Tenochtitlan Aztec-Empire central-Mexico mid-altitude light. Sits at the modifier-and-cultural end of the grid, parallel to inca and toltec in usage.

Sapphire
noun

An iron-and-titanium-bearing corundum — the same mineral as ruby, hardness 9 on the Mohs scale, mined for two millennia from Sri Lanka, Burma, Madagascar, and the Cashmere mines of British India. The color refers to a fine Kashmir-cut sapphire: a saturated, slightly violet-shifted deep blue with the gem's signature internal velvet — a quality of light scattering in the stone that faceted glass cannot replicate. Cooler than cobalt, deeper than azure.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1a71c9
Original
#4378cc
Protanopia
#1e69c7
Deuteranopia
#008693
Tritanopia
#656565
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.94:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.25:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1A71C9
Display P3
Display P3
color(display-p3 0.2145 0.4366 0.7636)
P3 has subtle headroomOKLCH chroma 0.157

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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