Gracious Pārā
Gracious Pārā (#1A052E) is a deep indigo with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (271°, 80%, 10%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin grātiōsus, full-of-grace — adjectival suffix -ous. As a color modifier, gracious implies a neutral-and-courteous-and-warm quality, the neutral color of Edwardian-and-Belle-Époque gracious-and-formal-hosting Belle-Époque-Edwardian interior-decoration-and-textile coordinated-color tone. Sits at the neutral-and-friendly end of the grid, parallel to cordial and courteous in usage.
Hindi/Urdu पारा / پارا, mercury — adopted into Indian color terminology for the liquid-metal-mercury gray of Mughal-period mirror-glass back-coatings (shīsha-kāri). Pārā color refers to a shīsha-kāri mirror-glass back-coating in a Mughal-period Diwan-i-Khas hall: a dark cool-gray with the metallic finish of mercury-tin amalgam back-coating on Indian-Mughal-period mirror-glass.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.