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Awakening Grace Turquoise

#19e5db
Notes

Awakening Grace Turquoise (#19E5DB) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (177°, 80%, 50%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#19e5db
RGB
rgb(25, 229, 219)
HSL
hsl(177, 80%, 50%)
HWB
hwb(177 10% 10%)
OKLCH
oklch(83.3% 0.142 189.1)
P3
color(display-p3 0.4197 0.8849 0.8553)
HSV
hsv(177, 89%, 90%)
LAB
lab(82.57% -46.46 -7.99)
LCH
lch(82.57% 47.14 189.76)
CMYK
cmyk(89%, 0%, 4%, 10%)

Etymology

Awakening
adjective

Old English āwacnian, to awaken — present-participle of awaken. As a color modifier, awakening implies a saturated-and-rousing-and-fresh quality, the bright color of spring-dawn and first-light atmospheric-stimulation. Sits at the bright-and-active end of the grid, parallel to quickening and rousing in usage.

Grace
modifier

Latin gratia, favor-or-thankfulness. As a color modifier, grace implies a flowing-and-elegant-and-blessed quality, the visual register of Botticelli-Three-Graces-and-Apollonian-grace hand-flowing-and-elegant-and-blessed Botticelli-Three-Graces-and-Apollonian-and-Renaissance-classical graced-and-flowing-and-elegant-and-blessed surfaces under Botticelli-Three-Graces-and-Apollonian-and-Renaissance-classical chiton-and-laurel-wreath-and-fountain Florentine-pavilion-light. Sits at the modifier-and-mood end of the grid, parallel to charm and bliss in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#19e5db
Original
#d7d8db
Protanopia
#bec6dd
Deuteranopia
#00ebe2
Tritanopia
#b9b9b9
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.58:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
13.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##19E5DB
Display P3
Display P3
color(display-p3 0.4197 0.8849 0.8553)
P3 has subtle headroomOKLCH chroma 0.142

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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