Ignited Ether Kelly
Ignited Ether Kelly (#19B43C) is a true green with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (134°, 76%, 40%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin ignīre, to set on fire — past-participle of ignite. As a color modifier, ignited implies a saturated-and-just-started-burning quality, the bright color of match-strike-and-flint-spark initial-combustion emission. Sits at the bright-and-warm end of the grid, parallel to kindled and aflame in usage.
Greek αἰθήρ, upper-air-or-quintessence. As a color modifier, ether implies a luminiferous-and-pure-upper-air quality, the visual register of Aristotelian-quintessence-and-luminiferous-ether hand-luminiferous-and-pure-upper-air Aristotelian-quintessence-and-luminiferous-and-Newtonian ether-and-luminiferous-and-pure-upper-air surfaces under Aristotelian-quintessence-and-luminiferous-and-Newtonian celestial-spheres-and-natural-philosophy upper-air-light. Sits at the modifier-and-cosmic end of the grid, parallel to plasma and nebula in usage.
A bright yellow-green named for the Irish surname Kelly, common enough by the late nineteenth century to stand in for generic Irish in American slang. The color is the saturated, optically bright green of a Saint Patrick's Day parade: cleaner than shamrock, brighter than fern, with the pop-culture weight of a color used annually for green beer, green carnations, and the Chicago River.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.