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Awakening Creep Jade

#19af7e
Notes

Awakening Creep Jade (#19AF7E) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (160°, 75%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#19af7e
RGB
rgb(25, 175, 126)
HSL
hsl(160, 75%, 39%)
HWB
hwb(160 10% 31%)
OKLCH
oklch(67.0% 0.138 164.0)
P3
color(display-p3 0.3211 0.6762 0.5076)
HSV
hsv(160, 86%, 69%)
LAB
lab(63.65% -48.44 14.93)
LCH
lch(63.65% 50.69 162.87)
CMYK
cmyk(86%, 0%, 28%, 31%)

Etymology

Awakening
adjective

Old English āwacnian, to awaken — present-participle of awaken. As a color modifier, awakening implies a saturated-and-rousing-and-fresh quality, the bright color of spring-dawn and first-light atmospheric-stimulation. Sits at the bright-and-active end of the grid, parallel to quickening and rousing in usage.

Creep
modifier

Old English crēopan, to-move-slowly. As a color modifier, creep implies a slow-stealthy-and-spreading quality, the visual register of ivy-on-wall-and-mist-creep hand-slow-stealthy-and-spreading ivy-on-wall-and-mist-creep-and-spreading-shadow crept-and-slow-stealthy-and-spreading surfaces under ivy-on-wall-and-mist-creep-and-spreading-shadow ruined-cloister-and-river-valley-and-evening-meadow encroaching-light. Sits at the modifier-and-mood end of the grid, parallel to lurk and prowl in usage.

Jade
noun

Two minerals share the name: nephrite (a calcium-magnesium silicate, dominant in Chinese jade) and jadeite (a sodium-aluminum silicate, dominant in Burmese imperial jade). Both have been carved in China since at least the Neolithic. The color refers to high-quality apple-green jadeite: a saturated, slightly muted yellow-green with the waxy translucency of polished stone. Cooler than apple, warmer than mint, with the millennial cultural weight of yu, the stone of heaven.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#19af7e
Original
#aca27b
Protanopia
#9a9581
Deuteranopia
#00afa2
Tritanopia
#8c8c8c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.81:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.47:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##19AF7E
Display P3
Display P3
color(display-p3 0.3211 0.6762 0.5076)
P3 has subtle headroomOKLCH chroma 0.138

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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