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Aligned Berth Verdigris

#19957c
Notes

Aligned Berth Verdigris (#19957C) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (168°, 71%, 34%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#19957c
RGB
rgb(25, 149, 124)
HSL
hsl(168, 71%, 34%)
HWB
hwb(168 10% 42%)
OKLCH
oklch(60.0% 0.108 174.5)
P3
color(display-p3 0.2748 0.5757 0.4906)
HSV
hsv(168, 83%, 58%)
LAB
lab(55.23% -38.13 4.13)
LCH
lch(55.23% 38.35 173.82)
CMYK
cmyk(83%, 0%, 17%, 42%)

Etymology

Aligned
adjective

French à-ligne, to-line-up — past-participle of align. As a color modifier, aligned implies a clear-and-axis-coordinated quality where the hue carries the visual register of carefully-parallel-arranged elements. Sits at the crisp-and-balanced end of the grid, parallel to symmetrical and squared in usage.

Berth
modifier

Middle Low German bert, bunk / sleeping-shelf. As a color modifier, berth implies a small-confined-shipboard quality, the visual register of Royal-Navy-period small ship-cabin-and-sailor's-bunk hand-built confined-and-functional sleeping-quarter surfaces under Royal-Navy-period below-decks oil-lantern shipboard-light. Sits at the modifier-and-place end of the grid, parallel to cabin and quay in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#19957c
Original
#8f8b7b
Protanopia
#80807e
Deuteranopia
#00978e
Tritanopia
#797979
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.73:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.63:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##19957C
Display P3
Display P3
color(display-p3 0.2748 0.5757 0.4906)
P3 has subtle headroomOKLCH chroma 0.108

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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