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Level Bay

#1989b0
Notes

Level Bay (#1989B0) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (195°, 75%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1989b0
RGB
rgb(25, 137, 176)
HSL
hsl(195, 75%, 39%)
HWB
hwb(195 10% 31%)
OKLCH
oklch(59.0% 0.109 228.1)
P3
color(display-p3 0.2538 0.5293 0.6753)
HSV
hsv(195, 86%, 69%)
LAB
lab(53.20% -15.58 -28.84)
LCH
lch(53.20% 32.78 241.63)
CMYK
cmyk(86%, 22%, 0%, 31%)

Etymology

Level
adjective

Latin libella, small-balance / level-tool — sharing root with libra (balance). As a color modifier, level implies a clear-and-horizontal-true quality where the hue carries the visual register of gravity-perpendicular-and-perfectly-horizontal surface. Sits at the crisp-and-balanced end of the grid, parallel to plumb and flat in usage.

Bay
noun

A body of water partially enclosed by land — Chesapeake, Tokyo, Hudson, Naples. The color refers to the average reflectance of a temperate bay on a clear day: a saturated, slightly muted blue with the optical depth of mid-salinity water. Cooler than peacock, warmer than navy, with the geographic specificity of a word that names the largest indentations in every world coastline.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1989b0
Original
#7487b2
Protanopia
#6179af
Deuteranopia
#009496
Tritanopia
#747474
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.00:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.25:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1989B0
Display P3
Display P3
color(display-p3 0.2538 0.5293 0.6753)
P3 has subtle headroomOKLCH chroma 0.109

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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