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Hemmed Advent Moss

#196644
Notes

Hemmed Advent Moss (#196644) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (154°, 61%, 25%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#196644
RGB
rgb(25, 102, 68)
HSL
hsl(154, 61%, 25%)
HWB
hwb(154 10% 60%)
OKLCH
oklch(45.5% 0.092 159.6)
P3
color(display-p3 0.1951 0.3941 0.2771)
HSV
hsv(154, 75%, 40%)
LAB
lab(38.07% -31.83 12.74)
LCH
lch(38.07% 34.28 158.19)
CMYK
cmyk(75%, 0%, 33%, 60%)

Etymology

Hemmed
adjective

Old English hem, border — past-participle of hem. As a color modifier, hemmed implies a clear-and-finished-and-bordered quality where the hue carries the visual register of carefully-hemmed-and-finished textile-edge. Sits at the crisp-and-finished end of the grid, parallel to trim and finished in usage.

Advent
modifier

Latin adventus, arrival. As a color modifier, advent implies a December-Pre-Christmas-and-purple quality, the visual register of Roman-Catholic-and-Anglican Advent-period purple-and-pink-vestment-and-wreath-and-candle liturgical surfaces under Advent-period candlelit-purple-and-pink ecclesiastical light. Sits at the modifier-and-time end of the grid, parallel to yule and easter in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#196644
Original
#655e42
Protanopia
#5b5746
Deuteranopia
#00655d
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.94:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.03:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##196644
Display P3
Display P3
color(display-p3 0.1951 0.3941 0.2771)
P3 has subtle headroomOKLCH chroma 0.092

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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