Drenched Gleam Ultramarine

Old English drencan, to give to drink — past-participle of drench. As a color modifier, drenched implies a hue saturated to its visual maximum without dilution, the deep-and-soaked quality of cloth fully absorbed by dye. Sits at the deep-and-saturated end of the grid, where the color reads as fully bathed by pigment.

Old English glǣm, brightness-or-shine. As a color modifier, gleam implies a low-and-glancing-and-bright quality, the visual register of polished-armor-and-river-water-gleam hand-polished-and-glancing-and-bright polished-armor-and-river-water-and-blade-edge gleamed-and-polished-and-glancing surfaces under polished-armor-and-river-water blade-edge-and-helm-and-shield medieval-tournament-light. Sits at the modifier-and-mood end of the grid, parallel to glint and sheen in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.