Stamped Pater Verdigris

Old English stempan, to stamp — past-participle of stamp. As a color modifier, stamped implies a clear-and-impressed-and-repeating quality, the crisp color of William-Morris-and-Liberty-of-London block-printed-textile carefully-impressed pattern. Sits at the crisp-and-printed end of the grid, parallel to printed and engraved in usage.

Latin pater, father. As a color modifier, pater implies a Latin-father-and-paterfamilias-and-Pater-Noster quality, the visual register of Pater-Noster-and-Roman-paterfamilias hand-Latin-father-and-paterfamilias-and-Pater-Noster Pater-Noster-and-Roman-paterfamilias-and-Catholic-prayer pater-and-Latin-father surfaces under Pater-Noster-and-Roman-paterfamilias-and-Catholic-prayer Roman-Senate-and-Catholic-liturgy paterfamilias-light. Sits at the modifier-and-Latin end of the grid, parallel to mater and dux in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.