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Lavish Oxford

#184dc7
Notes

Lavish Oxford (#184DC7) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (222°, 78%, 44%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#184dc7
RGB
rgb(24, 77, 199)
HSL
hsl(222, 78%, 44%)
HWB
hwb(222 9% 22%)
OKLCH
oklch(47.0% 0.198 263.2)
P3
color(display-p3 0.1546 0.2976 0.7519)
HSV
hsv(222, 88%, 78%)
LAB
lab(37.16% 30.68 -67.80)
LCH
lch(37.16% 74.42 294.35)
CMYK
cmyk(88%, 61%, 0%, 22%)

Etymology

Lavish
adjective

Old French lavasse, downpour — sharing root with laver (to wash). As a color modifier, lavish implies a saturated-and-extravagant quality where the hue spills over its visual boundaries with luxurious pigmentation. Sits at the bold-and-saturated end of the grid, parallel to opulent and sumptuous in usage.

Oxford
noun

The athletic blue of the University of Oxford — adopted alongside Cambridge's lighter blue in the 1820s, when the two universities first began racing crews against each other on the Thames. The color refers to an Oxford-blue rowing jersey: a saturated, slightly muted deep blue with the matte finish of melton wool. Deeper than navy, cooler than royal, with the rivalrous heraldic weight of a color paired with its institutional opposite.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#184dc7
Original
#0060cb
Protanopia
#0050c5
Deuteranopia
#006d82
Tritanopia
#4b4b4b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.93:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##184DC7
Display P3
Display P3
color(display-p3 0.1546 0.2976 0.7519)
P3 has visible headroomOKLCH chroma 0.198

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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