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Easy Mast Verdigris

#179a7f
Notes

Easy Mast Verdigris (#179A7F) is a true teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (168°, 74%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#179a7f
RGB
rgb(23, 154, 127)
HSL
hsl(168, 74%, 35%)
HWB
hwb(168 9% 40%)
OKLCH
oklch(61.4% 0.113 173.8)
P3
color(display-p3 0.2815 0.5950 0.5029)
HSV
hsv(168, 85%, 60%)
LAB
lab(56.90% -39.68 4.82)
LCH
lch(56.90% 39.97 173.07)
CMYK
cmyk(85%, 0%, 18%, 40%)

Etymology

Easy
adjective

Old French aisié, comfortable, at rest — used as a color modifier since the eighteenth century for hues that read as visually undemanding. Easy beige, easy gray: moderate saturation combined with optical restfulness. Sits at the crisp-bucket center alongside calm and settled.

Mast
modifier

Old English mæst, long-pole. As a color modifier, mast implies a tall-pole-with-sails quality, the visual register of Tall-Ship-and-Royal-Navy-Mast hand-rigged tall-mast-with-sail-and-yard tall-ship-and-frigate maritime-architecture surfaces under tall-ship-mast-and-yard maritime-overhead light. Sits at the modifier-and-nautical end of the grid, parallel to spar and boom in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#179a7f
Original
#948f7e
Protanopia
#858481
Deuteranopia
#009c92
Tritanopia
#7c7c7c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.52:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.97:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##179A7F
Display P3
Display P3
color(display-p3 0.2815 0.5950 0.5029)
P3 has subtle headroomOKLCH chroma 0.113

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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