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Plain Shine Moss

#176c50
Notes

Plain Shine Moss (#176C50) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (160°, 65%, 26%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#176c50
RGB
rgb(23, 108, 80)
HSL
hsl(160, 65%, 26%)
HWB
hwb(160 9% 58%)
OKLCH
oklch(47.5% 0.091 165.7)
P3
color(display-p3 0.2018 0.4172 0.3210)
HSV
hsv(160, 79%, 42%)
LAB
lab(40.39% -31.85 8.74)
LCH
lch(40.39% 33.02 164.65)
CMYK
cmyk(79%, 0%, 26%, 58%)

Etymology

Plain
adjective

Latin planus, flat, level — used as a color modifier since the medieval period for hues that read as undecorated and direct. Plain white, plain blue: moderate saturation, no shift, no surface effect. Sits in the crisp-bucket center, with the implication of restraint rather than absence.

Shine
modifier

Old English scīnan, to-shine. As a color modifier, shine implies a polished-and-reflective-light quality, the visual register of polished-silver-and-bronze-shine hand-polished-and-buffed silver-and-bronze-and-brass-and-tin polished-and-reflective-shine surfaces under polished-silver-and-bronze-shine workshop-light. Sits at the modifier-and-texture end of the grid, parallel to gloss and sleek in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#176c50
Original
#6a644e
Protanopia
#5f5c52
Deuteranopia
#006c64
Tritanopia
#585858
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.30:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##176C50
Display P3
Display P3
color(display-p3 0.2018 0.4172 0.3210)
P3 has subtle headroomOKLCH chroma 0.091

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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