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Bright Orbit Peridot

#16e7c8
Notes

Bright Orbit Peridot (#16E7C8) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (171°, 83%, 50%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#16e7c8
RGB
rgb(22, 231, 200)
HSL
hsl(171, 83%, 50%)
HWB
hwb(171 9% 9%)
OKLCH
oklch(83.1% 0.151 178.1)
P3
color(display-p3 0.4215 0.8926 0.7881)
HSV
hsv(171, 90%, 91%)
LAB
lab(82.64% -52.59 2.16)
LCH
lch(82.64% 52.64 177.65)
CMYK
cmyk(90%, 0%, 13%, 9%)

Etymology

Bright
adjective

Old English beorht, shining, luminous — cognate with the German Bracht, splendor. Applied to color since at least the medieval period for hues that read as luminous: not just light in value but optically active, as if scattering more light back than a dimmer color of the same lightness would. Sits at the bright-bucket center alongside vivid and brilliant.

Orbit
modifier

Latin orbita, track-or-wheel-rut. As a color modifier, orbit implies a Keplerian-ellipse-and-circling quality, the visual register of Keplerian-ellipse-and-Newton-Principia-orbit hand-Keplerian-ellipse-and-circling Keplerian-ellipse-and-Newton-Principia-and-Tycho-orbit orbit-and-Keplerian-ellipse-and-circling surfaces under Keplerian-ellipse-and-Newton-Principia-and-Tycho-orbit Royal-Society-and-celestial-mechanics 17th-century-observation-light. Sits at the modifier-and-cosmic end of the grid, parallel to axis and parsec in usage.

Peridot
noun

The transparent green variety of olivine — the gem mined from Egyptian Zabargad Island since pharaonic times and now from arid mountain ranges in Pakistan, Arizona, and Vietnam. The color refers to a faceted peridot: a clean, slightly yellow-shifted green with the gem's signature internal warmth. Lighter than emerald, brighter than olivine in its rough state, with the unusual gem-trade quality of being one of the few minerals that occurs in only one color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#16e7c8
Original
#ddd8c7
Protanopia
#c5c6ca
Deuteranopia
#00ebde
Tritanopia
#b8b8b8
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.58:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
13.30:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##16E7C8
Display P3
Display P3
color(display-p3 0.4215 0.8926 0.7881)
P3 has subtle headroomOKLCH chroma 0.151

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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