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Magisterial Vesper Sapphire

#1675ff
Notes

Magisterial Vesper Sapphire (#1675FF) is a true azure with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (216°, 100%, 54%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1675ff
RGB
rgb(22, 117, 255)
HSL
hsl(216, 100%, 54%)
HWB
hwb(216 9% 0%)
OKLCH
oklch(59.5% 0.222 259.4)
P3
color(display-p3 0.2156 0.4520 0.9656)
HSV
hsv(216, 91%, 100%)
LAB
lab(51.96% 26.29 -75.38)
LCH
lch(51.96% 79.83 289.23)
CMYK
cmyk(91%, 54%, 0%, 0%)

Etymology

Magisterial
adjective

Latin magisterium, teacher's office — adjectival suffix -al. As a color modifier, magisterial implies a saturated-and-authoritative-and-formal quality, the deep-rich color of Qing-dynasty civil-magistrate court-and-ritual textiles and Imperial-Examination scholar-class livery. Sits at the bold-and-authoritative end of the grid, parallel to authoritative and commanding.

Vesper
modifier

Latin vespera, evening. As a color modifier, vesper implies an evening-prayer-and-dusk quality, the visual register of Roman-Catholic-and-Orthodox-Vespers evening-prayer-and-dusk hour-of-day evening-prayer-and-incense liturgical surfaces under Vespers-and-Compline ecclesiastical-evening candlelight. Sits at the modifier-and-time end of the grid, parallel to eve and knell in usage.

Sapphire
noun

An iron-and-titanium-bearing corundum — the same mineral as ruby, hardness 9 on the Mohs scale, mined for two millennia from Sri Lanka, Burma, Madagascar, and the Cashmere mines of British India. The color refers to a fine Kashmir-cut sapphire: a saturated, slightly violet-shifted deep blue with the gem's signature internal velvet — a quality of light scattering in the stone that faceted glass cannot replicate. Cooler than cobalt, deeper than azure.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1675ff
Original
#0086ff
Protanopia
#0072fc
Deuteranopia
#0098af
Tritanopia
#6b6b6b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.02:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1675FF
Display P3
Display P3
color(display-p3 0.2156 0.4520 0.9656)
P3 has visible headroomOKLCH chroma 0.222

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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