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Sumptuous Cancer Forest

#167127
Notes

Sumptuous Cancer Forest (#167127) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (131°, 67%, 26%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#167127
RGB
rgb(22, 113, 39)
HSL
hsl(131, 67%, 26%)
HWB
hwb(131 9% 56%)
OKLCH
oklch(48.1% 0.137 145.7)
P3
color(display-p3 0.2088 0.4365 0.1917)
HSV
hsv(131, 81%, 44%)
LAB
lab(41.42% -41.95 33.00)
LCH
lch(41.42% 53.38 141.81)
CMYK
cmyk(81%, 0%, 65%, 56%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Cancer
modifier

Latin cancer, crab-of-the-zodiac. As a color modifier, cancer implies a crab-and-water-sign-and-Moon-ruled-cardinal-water quality, the visual register of Hellenic-Cancer-and-Hercules-Lerna-crab hand-crab-and-water-sign-and-Moon-ruled-cardinal-water Hellenic-Cancer-and-Hercules-Lerna-crab-and-Beehive-Cluster cancer-and-crab-and-water-sign surfaces under Hellenic-Cancer-and-Hercules-Lerna-crab-and-Beehive-Cluster summer-solstice-and-June-and-July cardinal-water-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to gemini and leo in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#167127
Original
#73661f
Protanopia
#695f2d
Deuteranopia
#006e61
Tritanopia
#585858
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.13:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.43:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##167127
Display P3
Display P3
color(display-p3 0.2088 0.4365 0.1917)
P3 has subtle headroomOKLCH chroma 0.137

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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