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Abundant Capri

#1669bc
Notes

Abundant Capri (#1669BC) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (210°, 79%, 41%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#1669bc
RGB
rgb(22, 105, 188)
HSL
hsl(210, 79%, 41%)
HWB
hwb(210 9% 26%)
OKLCH
oklch(52.0% 0.150 253.4)
P3
color(display-p3 0.1954 0.4056 0.7140)
HSV
hsv(210, 88%, 74%)
LAB
lab(44.09% 7.87 -50.16)
LCH
lch(44.09% 50.78 278.92)
CMYK
cmyk(88%, 44%, 0%, 26%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Capri
noun

The Italian island in the Bay of Naples whose Blue Grotto — a sea cave where light enters through an underwater opening — turns the water inside an electric, otherworldly blue. The color refers to the water of the Grotta Azzurra: a saturated, slightly green-shifted electric blue with the optical clarity of light filtered through twenty meters of seawater. Brighter than aqua, more chromatic than turquoise, with the tourist-destination association of a single specific cave.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#1669bc
Original
#3d70bf
Protanopia
#1962ba
Deuteranopia
#007d89
Tritanopia
#5d5d5d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.55:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##1669BC
Display P3
Display P3
color(display-p3 0.1954 0.4056 0.7140)
P3 has subtle headroomOKLCH chroma 0.150

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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