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Resounding Capricorn Forest

#16600a
Notes

Resounding Capricorn Forest (#16600A) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (112°, 81%, 21%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#16600a
RGB
rgb(22, 96, 10)
HSL
hsl(112, 81%, 21%)
HWB
hwb(112 4% 62%)
OKLCH
oklch(42.8% 0.135 141.4)
P3
color(display-p3 0.1806 0.3709 0.1084)
HSV
hsv(112, 90%, 38%)
LAB
lab(35.12% -38.55 38.17)
LCH
lch(35.12% 54.24 135.28)
CMYK
cmyk(77%, 0%, 90%, 62%)

Etymology

Resounding
adjective

Latin resonāre, to echo back — present-participle of resound. As a color modifier, resounding implies a saturated-and-echoing-and-imposing quality where the hue reverberates visually like a cathedral-bell ring. Sits at the bold-and-resonant end of the grid, parallel to resonant and booming in usage.

Capricorn
modifier

Latin capricornus, horned-goat-of-the-zodiac. As a color modifier, capricorn implies a sea-goat-and-earth-sign-and-Saturn-ruled-cardinal-earth quality, the visual register of Hellenic-Capricorn-and-Pan-sea-goat hand-sea-goat-and-earth-sign-and-Saturn-ruled-cardinal-earth Hellenic-Capricorn-and-Pan-sea-goat-and-Babylonian-Suhurmašu capricorn-and-sea-goat-and-earth-sign surfaces under Hellenic-Capricorn-and-Pan-sea-goat-and-Babylonian-Suhurmašu winter-solstice-and-December-and-January cardinal-earth-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to sagittarius and aquarius in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#16600a
Original
#635600
Protanopia
#5a5016
Deuteranopia
#025d51
Tritanopia
#4a4a4a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.71:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##16600A
Display P3
Display P3
color(display-p3 0.1806 0.3709 0.1084)
P3 has subtle headroomOKLCH chroma 0.135

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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