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Refreshing Eve Moss

#165d3f
Notes

Refreshing Eve Moss (#165D3F) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (155°, 62%, 23%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#165d3f
RGB
rgb(22, 93, 63)
HSL
hsl(155, 62%, 23%)
HWB
hwb(155 9% 64%)
OKLCH
oklch(42.7% 0.085 160.6)
P3
color(display-p3 0.1757 0.3593 0.2560)
HSV
hsv(155, 76%, 36%)
LAB
lab(34.72% -29.50 11.15)
LCH
lch(34.72% 31.54 159.30)
CMYK
cmyk(76%, 0%, 32%, 64%)

Etymology

Refreshing
adjective

Old French refreschir, to make fresh again — present-participle of refresh. As a color modifier, refreshing implies a clear-and-cool-and-revitalizing quality, the crisp color of Cornish-coast and Hebridean-island fresh-sea-air-and-cool-water revitalization. Sits at the crisp-and-cool end of the grid, parallel to fresh and bracing in usage.

Eve
modifier

Old English æfen, evening. As a color modifier, eve implies a sundown-and-twilight quality, the visual register of clear-sky western-horizon sunset-and-twilight Rayleigh-scattered Belt-of-Venus atmospheric pink-and-violet surfaces under early-evening twilight light. Sits at the modifier-and-time end of the grid, parallel to vesper and sundown in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#165d3f
Original
#5c553d
Protanopia
#534f41
Deuteranopia
#005d55
Tritanopia
#4c4c4c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.86:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.67:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##165D3F
Display P3
Display P3
color(display-p3 0.1757 0.3593 0.2560)
P3 has subtle headroomOKLCH chroma 0.085

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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