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Triumphant Sinii

#165af2
Notes

Triumphant Sinii (#165AF2) is a true azure with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (221°, 89%, 52%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#165af2
RGB
rgb(22, 90, 242)
HSL
hsl(221, 89%, 52%)
HWB
hwb(221 9% 5%)
OKLCH
oklch(53.2% 0.237 262.9)
P3
color(display-p3 0.1709 0.3477 0.9143)
HSV
hsv(221, 91%, 95%)
LAB
lab(44.08% 38.49 -81.02)
LCH
lch(44.08% 89.69 295.41)
CMYK
cmyk(91%, 63%, 0%, 5%)

Etymology

Triumphant
adjective

Latin triumphāns, celebrating victory — present-participle of triumphāre. As a color modifier, triumphant implies a saturated-and-celebratory-and-victorious quality, the deep-rich color of Roman-Imperial-period triumphal-arch spolia relief and Arch-of-Titus victory imagery. Sits at the bold-and-celebratory end of the grid, parallel to victorious and conquering.

Sinii
noun

The Russian word for deep blue — distinct from goluboy (light/sky blue) in Russian color vocabulary, which (uniquely among major languages) names two separate basic blue categories. The color refers to a sinii-painted Russian Orthodox church dome: a saturated, slightly cool very deep blue with the matte finish of distemper-and-pigment paint.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#165af2
Original
#0072f7
Protanopia
#005eef
Deuteranopia
#00839e
Tritanopia
#575757
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.56:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##165AF2
Display P3
Display P3
color(display-p3 0.1709 0.3477 0.9143)
P3 has visible headroomOKLCH chroma 0.237

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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