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Sable Prussian

#164479
Notes

Sable Prussian (#164479) is a deep azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (212°, 69%, 28%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#164479
RGB
rgb(22, 68, 121)
HSL
hsl(212, 69%, 28%)
HWB
hwb(212 9% 53%)
OKLCH
oklch(38.6% 0.103 254.5)
P3
color(display-p3 0.1375 0.2628 0.4595)
HSV
hsv(212, 82%, 47%)
LAB
lab(28.60% 5.14 -34.61)
LCH
lch(28.60% 34.99 278.44)
CMYK
cmyk(82%, 44%, 0%, 53%)

Etymology

Sable
noun

Martes zibellina, the Eurasian sable — a small mustelid of Siberian taiga whose deep brown-black fur was the most prized mammalian pelt of the Russian and Chinese imperial courts. The color refers to a fresh sable pelt: a deep, slightly warm near-black with the satin finish of densely packed guard hairs. Warmer than ink, glossier than coal, with the courtly weight of a fur reserved for tsars and emperors.

Prussian
noun

The first modern synthetic blue pigment — accidentally produced in 1704 by Berlin alchemist Johann Jacob Diesbach when contaminated potash turned a red dye unexpectedly blue. The result was Berlin blue (also Prussian blue): a saturated, slightly green-shifted deep blue with the matte finish of a pigment more lightfast than indigo and far cheaper than ultramarine. Cooler than cobalt, deeper than navy, with the art-historical weight of the pigment used in Hokusai's Great Wave.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#164479
Original
#2a487b
Protanopia
#183f78
Deuteranopia
#005158
Tritanopia
#3e3e3e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.83:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.14:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##164479
Display P3
Display P3
color(display-p3 0.1375 0.2628 0.4595)
P3 has subtle headroomOKLCH chroma 0.103

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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