colors
Back to gallery

Tarry Shore Ultramarine

#162d8b
Notes

Tarry Shore Ultramarine (#162D8B) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (228°, 73%, 32%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#162d8b
RGB
rgb(22, 45, 139)
HSL
hsl(228, 73%, 32%)
HWB
hwb(228 9% 45%)
OKLCH
oklch(35.1% 0.158 266.7)
P3
color(display-p3 0.1077 0.1742 0.5242)
HSV
hsv(228, 84%, 55%)
LAB
lab(23.37% 28.57 -54.36)
LCH
lch(23.37% 61.41 297.72)
CMYK
cmyk(84%, 68%, 0%, 45%)

Etymology

Tarry
adjective

Old English teru, tar — adjectival suffix -y. As a color modifier, tarry implies the deep-glossy-black quality of bitumen-and-petroleum-tar viscous-residue surfaces, particularly the La-Brea-and-Trinidad-Pitch-Lake natural-asphalt seeps. Sits at the deep-and-warm end of the grid, parallel to pitchy and bituminous in usage.

Shore
modifier

Old English score, coast. As a color modifier, shore implies a tidal-edge-and-shingle quality, the visual register of Brighton-and-Cromer English-pebble-coast tide-deposited shingle-and-sea-glass-and-driftwood hand-walked surfaces under overcast Channel-light. Sits at the modifier-and-place end of the grid, parallel to coast and strand in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#162d8b
Original
#003d8e
Protanopia
#003289
Deuteranopia
#004658
Tritanopia
#2f2f2f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
11.78:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##162D8B
Display P3
Display P3
color(display-p3 0.1077 0.1742 0.5242)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas