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Bespoke Ainezumi

#160f27
Notes

Bespoke Ainezumi (#160F27) is a deep indigo with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (258°, 44%, 11%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#160f27
RGB
rgb(22, 15, 39)
HSL
hsl(258, 44%, 11%)
HWB
hwb(258 6% 85%)
OKLCH
oklch(19.2% 0.048 295.0)
P3
color(display-p3 0.0820 0.0599 0.1471)
HSV
hsv(258, 62%, 15%)
LAB
lab(5.95% 9.89 -14.93)
LCH
lch(5.95% 17.91 303.53)
CMYK
cmyk(44%, 62%, 0%, 85%)

Etymology

Bespoke
adjective

Old English be- (about) plus sprecan (to speak) — past-participle of bespeak. As a color modifier, bespoke implies a neutral-and-custom-made-and-tailored quality, the neutral color of Savile-Row-tailoring custom-made-and-hand-tailored gentleman's-suit-and-shirtmaking craft-finish. Sits at the neutral-and-traditional end of the grid, parallel to custom and tailored in usage.

Ainezumi
noun

Japanese 藍鼠, indigo-mouse — a mid-Edo-period color name for the deep-blue-gray of aizome (indigo)-overdyed cotton, typical of tsumugi casual kimono. Ainezumi color refers to a tsumugi-period-cotton ainezumi-overdyed everyday-kimono: a dark blue-gray with the matte finish of multi-bath aizome-and-iron-mordant overdye on hand-spun Ojiya tsumugi cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#160f27
Original
#071328
Protanopia
#081326
Deuteranopia
#121419
Tritanopia
#121212
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
18.56:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##160F27
Display P3
Display P3
color(display-p3 0.0820 0.0599 0.1471)
Inside sRGBOKLCH chroma 0.048

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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