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Methodical Eden Teal

#15c2ab
Notes

Methodical Eden Teal (#15C2AB) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (172°, 80%, 42%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#15c2ab
RGB
rgb(21, 194, 171)
HSL
hsl(172, 80%, 42%)
HWB
hwb(172 8% 24%)
OKLCH
oklch(73.1% 0.130 180.0)
P3
color(display-p3 0.3524 0.7496 0.6726)
HSV
hsv(172, 89%, 76%)
LAB
lab(70.65% -45.02 0.26)
LCH
lch(70.65% 45.02 179.67)
CMYK
cmyk(89%, 0%, 12%, 24%)

Etymology

Methodical
adjective

Greek méthodos, systematic-procedure — adjectival suffix -al. As a color modifier, methodical implies a clear-and-systematic-and-step-by-step quality where the hue carries the visual register of careful-procedure-followed design-element. Sits at the crisp-and-orderly end of the grid, parallel to orderly and organized in usage.

Eden
modifier

Hebrew ‘Ēden, garden-of-paradise. As a color modifier, eden implies a primal-paradise-and-garden-of-creation quality, the visual register of Genesis-Eden-and-Lucas-Cranach-paradise hand-primal-paradise-and-garden-of-creation Genesis-Eden-and-Lucas-Cranach-paradise-and-Northern-Renaissance eden-and-primal-paradise-and-garden-of-creation surfaces under Genesis-Eden-and-Lucas-Cranach-paradise-and-Northern-Renaissance Cranach-and-Bosch-and-Hieronymus primal-garden-light. Sits at the modifier-and-myth end of the grid, parallel to avalon and bliss in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#15c2ab
Original
#b9b6aa
Protanopia
#a5a7ad
Deuteranopia
#00c6bb
Tritanopia
#9c9c9c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.34:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##15C2AB
Display P3
Display P3
color(display-p3 0.3524 0.7496 0.6726)
P3 has subtle headroomOKLCH chroma 0.130

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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