Welcoming Muse Verdigris

Old English wel-cuman, well-coming — present-participle of welcome. As a color modifier, welcoming implies a clear-and-inviting-and-warm quality where the hue carries the visual register of cordial-and-hospitable color-tone. Sits at the crisp-and-cheerful end of the grid, parallel to hospitable and inviting in usage.

Latin Musa, goddess-of-inspiration. As a color modifier, muse implies a contemplative-and-inspired-and-poetic quality, the visual register of Helicon-spring-and-Parnassus-muse hand-contemplative-and-inspired-and-poetic Helicon-spring-and-Parnassus-and-Castalian-fount mused-and-contemplative-and-inspired-and-poetic surfaces under Helicon-spring-and-Parnassus-and-Castalian-fount laurel-and-lyre-and-tablet poet's-grove-light. Sits at the modifier-and-mood end of the grid, parallel to mull and brood in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.