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Stamped Squire Lazuli

#155f95
Notes

Stamped Squire Lazuli (#155F95) is a deep azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (205°, 75%, 33%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#155f95
RGB
rgb(21, 95, 149)
HSL
hsl(205, 75%, 33%)
HWB
hwb(205 8% 42%)
OKLCH
oklch(47.0% 0.111 246.2)
P3
color(display-p3 0.1774 0.3670 0.5676)
HSV
hsv(205, 86%, 58%)
LAB
lab(38.75% -1.33 -35.66)
LCH
lch(38.75% 35.69 267.87)
CMYK
cmyk(86%, 36%, 0%, 42%)

Etymology

Stamped
adjective

Old English stempan, to stamp — past-participle of stamp. As a color modifier, stamped implies a clear-and-impressed-and-repeating quality, the crisp color of William-Morris-and-Liberty-of-London block-printed-textile carefully-impressed pattern. Sits at the crisp-and-printed end of the grid, parallel to printed and engraved in usage.

Squire
modifier

Old French escuyer, shield-bearer. As a color modifier, squire implies a knight's-attendant-and-page-of-arms quality, the visual register of English-and-French-Squire hand-forged shield-and-stirrup-and-tabard knight's-attendant-and-page-of-arms surfaces under English-and-French-Squire hand-forged shield-and-stirrup ceremonial-court light. Sits at the modifier-and-cultural end of the grid, parallel to knight and page in usage.

Lazuli
noun

Passerina amoena, the lazuli bunting — a North American songbird whose males display saturated deep-blue plumage with white wing bars and chestnut breasts. Named for the gemstone (lapis lazuli) the bird's plumage resembles. The color refers to a male lazuli bunting in breeding plumage: a saturated, slightly cool deep blue.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#155f95
Original
#456197
Protanopia
#335694
Deuteranopia
#006c73
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.77:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.10:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##155F95
Display P3
Display P3
color(display-p3 0.1774 0.3670 0.5676)
P3 has subtle headroomOKLCH chroma 0.111

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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