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Smoldering Modré

#154dc4
Notes

Smoldering Modré (#154DC4) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (221°, 81%, 43%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#154dc4
RGB
rgb(21, 77, 196)
HSL
hsl(221, 81%, 43%)
HWB
hwb(221 8% 23%)
OKLCH
oklch(46.6% 0.194 262.6)
P3
color(display-p3 0.1488 0.2975 0.7407)
HSV
hsv(221, 89%, 77%)
LAB
lab(36.84% 29.36 -66.58)
LCH
lch(36.84% 72.76 293.79)
CMYK
cmyk(89%, 61%, 0%, 23%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Modré
noun

The Czech word for blue — used for the saturated deep blue of Czech traditional Modrotisk (blue-print) folk-textile resist-dyeing. Modré covers the entire blue spectrum in Czech color vocabulary. The color refers to a freshly Modrotisk-printed cotton: a saturated, slightly cool deep blue with the matte finish of plant-dyed-resist-printed cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#154dc4
Original
#005fc8
Protanopia
#004fc2
Deuteranopia
#006c81
Tritanopia
#4a4a4a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.27:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##154DC4
Display P3
Display P3
color(display-p3 0.1488 0.2975 0.7407)
P3 has visible headroomOKLCH chroma 0.194

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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