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Infused Fall Ultramarine

#152c91
Notes

Infused Fall Ultramarine (#152C91) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (229°, 75%, 33%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#152c91
RGB
rgb(21, 44, 145)
HSL
hsl(229, 75%, 33%)
HWB
hwb(229 8% 43%)
OKLCH
oklch(35.5% 0.167 266.6)
P3
color(display-p3 0.1039 0.1703 0.5466)
HSV
hsv(229, 86%, 57%)
LAB
lab(23.69% 31.49 -57.57)
LCH
lch(23.69% 65.62 298.68)
CMYK
cmyk(86%, 70%, 0%, 43%)

Etymology

Infused
adjective

Latin infundere, to pour into — past-participle of infuse. As a color modifier, infused implies a deep-pigment-and-warmth where the hue has been filled from within with the source dye. Sits at the deep-and-saturated end of the grid, parallel to suffused and steeped in usage.

Fall
modifier

Old English feallan, to fall / autumn. As a color modifier, fall implies an autumn-leaf-and-harvest quality, the visual register of New-England-and-English-autumn deciduous-leaf-fall maple-and-oak-and-beech autumnal-orange-and-crimson surfaces under Northern-Hemisphere autumn raking light. Sits at the modifier-and-time end of the grid, parallel to yule and reap in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#152c91
Original
#003e94
Protanopia
#00328f
Deuteranopia
#00485b
Tritanopia
#2e2e2e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
11.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.80:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##152C91
Display P3
Display P3
color(display-p3 0.1039 0.1703 0.5466)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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