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Mired Anil

#150e3c
Notes

Mired Anil (#150E3C) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (249°, 62%, 15%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#150e3c
RGB
rgb(21, 14, 60)
HSL
hsl(249, 62%, 15%)
HWB
hwb(249 5% 76%)
OKLCH
oklch(20.8% 0.084 283.3)
P3
color(display-p3 0.0780 0.0560 0.2254)
HSV
hsv(249, 77%, 24%)
LAB
lab(7.22% 18.91 -28.39)
LCH
lch(7.22% 34.11 303.67)
CMYK
cmyk(65%, 77%, 0%, 76%)

Etymology

Mired
adjective

Old Norse mýrr, mire / bog — past-participle of mire. As a color modifier, mired implies the deep-and-stuck-and-warm-brown quality of bog-and-peat-and-marsh-mud-immersion, like a Yorkshire-Moors hiker's boots after a rainy day on the saturated peat. Sits at the deep-and-warm end of the grid, parallel to peat-stained with earthy register.

Anil
noun

Portuguese and Spanish for Indigofera tinctoria — derived via the Arabic al-nīl from the Sanskrit nīla (dark blue), the colonial-era European name for indigo before indigo itself supplanted it in the 18th century. Anil color refers to a freshly anil-dyed Portuguese azulejo-period linen: a saturated, slightly cool deep blue-violet with the matte finish of multi-bath fermentation indigo on hand-spun linen.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#150e3c
Original
#00173d
Protanopia
#00143b
Deuteranopia
#031a23
Tritanopia
#131313
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
18.10:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.16:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##150E3C
Display P3
Display P3
color(display-p3 0.0780 0.0560 0.2254)
P3 has subtle headroomOKLCH chroma 0.084

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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